Pinnock’s second programme of the season traces a broad arc from the height of the Baroque, with a suite of Water Music that Handel composed for the enjoyment of King George I on his journey down the Thames for the water festival of 1717, to the romantic outpouring of Mendelssohn’s Symphony No. 3 “Scottish”, a page of great beauty filled with references to the Scottish landscape and folklore. At the centre of this offering is Mozart’s Piano Concerto No. 20, with our season’s introduction of one of the most compelling figures of the new generation of pianists, Alexandra Dovgan.
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